I'll begin with my favourite element of this production: the way in which parallels between the human and fairy worlds were highlighted, which was achieved by having the same actors play different parts. Puck became Philostrate; Oberon became Theseus; Titania became Hippolyta; the rude mechanicals became the fairies. Their relationships with one another in the fairy world was reflected in the human world, and this parallel gave Theseus' conclusion that the four lovers should marry who they please a little something extra following Oberon's sympathy toward the humans.
The performance began with a white setting, and Puck entered the scene (a surprise to anyone familiar with the script). The character is traditionally played by a man, but Stephanie McGregor brought a cheeky femininity to the role and made the part her own. Before the action began, she gave a knowing smile to the audience and place a coat over her costume that would identify her as Philostrate, and left the stage.
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| Theseus (Mark Wood) has words with Hermia (Danielle Jam) while Egeus (Stewart Aitken) and Demetrius (Ewan Petrie) look on. |
The stage was transformed with a burst of confetti as the audience prepared to be transported to the fairy forest. The set remained minimal with only a table at the back acting as a adaptable piece of earth and the curtains lifted to reveal branches and greenery to give the look of a forest. This left the entire front portion of the stage open for actors to make use of - and I dare say not an inch of that stage was unused!
The chemistry between the characters was undeniable. My heart ached for poor Helena (Rebecca Wilkie) as she yearned after Demetrius (Ewan Petrie), and the mutual adoration between Hermia (Danielle Jam) and Lysander (Cristian Ortega) was romantic without being cliche. Likewise, the resolution after Oberon's (Mark Wood) trick on Titania (Belle Jones) was heartwarming, and this translated easily to Theseus and Hippolyta's marriage.
But, as the four lovers had their emotions tampered with (I'm looking at you, Puck) their love turned to resentment and friendships were tested. The choreography of the climactic scene with all four on stage was impressive, yet executed effortlessly by the actors. Each of them pulled and pushed at one another as the fight was moved around the stage in perfect pace, one only avoiding another as they move to start on someone else.
I must, as well, make a special mention to the actors playing Peter Quince (Stewart Aitken) and Bottom (Ross Allan). These two together were hilarious, as Peter Quince incompetently directs a show that Bottom is determined to over-act in and make all about himself. Their exaggerated and detailed personalities led to comical interactions with the other artisans (and fairies, in Bottom's case) and whenever they came onto the stage I knew I was in for more laughter.
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| Oberon (Mark Wood) and Puck (Stephanie McGregor) |
There are, of course, many more things I can compliment about this performance: the Shakespearean verse was spoken beautifully with Scottish accents; the attention to detail in the costumes gave characters individuality; the sound and lighting effects were subtle yet contributed to the magical atmosphere.
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| Titania (Belle Jones) and her fairies attending to Bottom's (Ross Allan) many itches |
All photos taken from Ten Feet Tall Theatre's Facebook page: https://www.facebook.com/tenfeettallaberdeen/
