RSC Live: Macbeth (11/04/18)

Director Polly Findlay brought new and exciting elements to such a well-known Shakespeare play, bringing it storming into the 21st century. 

The most striking choice was probably the casting of 3 young girls to play the witches, using microphones to bring an eerie horror effect. Using influence from the cinematic thrillers, the 3 witches wore pyjamas, held baby dolls, and spoke in unison, creating a creepy-children-in-a-horror-film atmosphere wherever they went.

Christopher Eccleston was powerful and flawless as the magnificent Macbeth, while Niamh Cusack brought a maternal insight to her ambition as Lady Macbeth. Their chemistry was not as fiery as I had hoped, but their bond was strong and full of intimacy. 

For me, Cusack's speeches stole the show. I know Lady Macbeth's words well, having been entranced by her character at school. Even so, her monologues gave me chills as they took on new meanings to me. As an older actress, she brought a new perspective to the role, focusing on her need to please her husband in new ways, giving that she was unable to provide him with children. Her ambition was no longer selfish, but a desperate need to fulfil her duty as a wife.

Banquo (played by Raphael Sowole) had an easy friendship with Macbeth, and his much anticipated appearance as a ghost did not disappoint. The banquet scene exhibited Macbeth's breakdown and Lady Macbeth's struggle perfectly, while guests looked on in horror and disbelief at Macbeth's apparent insanity.

The Porter received an extended role as Michael Hodgson witnessed the entire performance, keeping a tally of deaths until finally losing count towards the end. He served as a comic and an observer, bringing his role into a new dimension.

Edward Bennett received the limelight during the second half as Macduff when he learned of the fate of his family. His sorrow was felt by all, his performance captivating. In his fight against Macbeth, I felt his revenge and became sympathetic to his cause - which was unexpected, as he is not usually a favourite of mine.

The set, although relatively simple, was effective and easy for set changes, keeping the performance smooth and efficient. The clever use of the clock counting down kept us on our toes as we realised time was not on Macbeth's side, and Macbeth's final scene was gripping as the perfect choreography resulted in death at the last second of the countdown. 

Overall, I have great respect for anyone who chooses to take on The Scottish Play, but this production truly exceeded all of my expectations. Bravo RSC, you've done it again.